Nektar
by Pete Clemons
I have written several articles about Coventry born and Nektar lead guitarist Roye Albrighton but never much about his band.
Nektar are such a wonderful band to listen too. For me they had a perfect blend of qualities like musical virtuosity, genre-bending innovation, profound emotional depth, captivating stage presence, universal appeal, and timeless relevance.
I first got into them around the time that their second album, 'Tab in the Ocean', was released. They instantly became one of those bands I just bought whatever they released - nowadays I think they call it autobuy.
Looking back on their career as best I can, unlike other bands, Nektar never really seemed to get the media attention lauded on others. There is actually very little I can find in the way of album reviews, articles and interviews. That said I did find this review, in French, of 'Tab' that I let Google translate work its magic on.
'Slowly but surely, Germany seems to be waking up from a long-standing lethargy in pop production. Yet, musicians are unable, or with difficulty, to free themselves from Anglo-Saxon influences. Nektar illustrates this problem perfectly: their scores, while commendable, remain lacking a great deal of personal inspiration. Here, the style is floating, with the prolonged chords of an emphatic organ. There, it undergoes a twist, a long-matured surge, to approach a more overt and concrete expression. The tone lands in reality. It should be noted, however, that to the group's disadvantage, some unexpected modulations are a bit forced and find no justification. But the general harmony and the curve of the work do not lack beauty and melodic lyricality, if we admit above that there is a commercial synthesis from a mix and, without any ulterior motive, to hear in eye to eye with Genesis or King Crimson'
By the time Nektar's 4th album 'Remember the Future' was released, the first album recorded in their native Britain, headway had been made and America had called.. Remember the Future is one continuous piece of music which takes up both sides of the album, covering as many moods as the band achieves during its stage show. It was said that 'Few bands had impressed as much as Nektar during 1973. Few will achieve as during the coming year'.
1974 on October 8th at 4:32pm Nektar return to Britain with 8 tons of equipment after successfully completing their first American tour. On that tour they headlined at every venue they played, sold out four concerts in St Louis playing to over 12000 people. They triumphed in New York's academy of music at a special midnight concert which was broadcast live over New York's WNEW FM radio to a quarter million listeners. Additionally thousands of fans tried to get tickets for their 2 shows in Houston. Their album Remember the Future is now in the US top 50 and moving upwards every week. The British band who live in Germany and who are very much at home in the USA.
Roye Albrighton talking of those days: 'At last, we were to embark on our first tour of the States. The excitement in the camp was at an all–time high, and just before we left, we managed to spurt out yet another album that was due for release in Germany, in the form of Down To Earth. This was Nektar's "Magical Mystery Tour" album. Everybody in those days seemed to record at least one LP that seemed to have nothing at all to do with what they were really all about. Although I thought it was a good album, it really didn't hit the mark in Germany and lots of our fans over there were starting to wonder if we were starting to lose all control. Personally, I didn't find it that bad and the idea behind it was good, but you cannot argue with your public, they always know best'.
However 'Down to Earth' could possibly have had the adverse effect. Again Roye thinks back: 'Down To Earth was not for the American market, but 'Recycled' was, and I believe to this day that had they released 'Recycled' directly after RTF and not waited a year and released Earth, then Nektar might have been in a different position today'
This view is supported to a point in a review I did find for 'Down to Earth': 'Nektar's smooth move from cosmic progression, though it was more genuinely rocky than that of past practitioners of the style, to a more straight forward rock 'n' roll sound is both a surprise and a pleasure. After all, you can only take so much of bluebirds from outer space, whereas you can never get enough of the real stuff. Down to earth indeed.
Last word with Roye: 'RTF will always have a special place in my heart as the album at the pinnacle of the Nektar years'.
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