Friday, June 13, 2025

Jigsaw – Sky High


Jigsaw – Sky High

by Pete Clemons


It was November 1975 and it was only Olivia Newton John and Elton John who were selling more British singles in the United States than Jigsaw were. Yet Jigsaw were still under the radar in most of the UK.

Despite their single Sky High climbing most of the world's music charts it was largely ignored by the British music press. A fate, the band said at the time, that had been happening to them for the past seven years.

Admittedly it had taken a monster, all action, Kung Fu film to put things right.

'The Man From Hong Kong' had given this four man Midland group the recognition that they had been after for so long.

'It's quite a story how we came to record the theme music' said Clive Scott the band's then 25 year old keyboard player and co-writer.

'The film had been completed but the distributors had wanted a pop single to go with the picture to help publicise it and MCA didn't think the existing theme music was strong enough'.

'Both David Essex and The Four Tops were approached but due to contractual difficulties they couldn't do it and it was nearing the time for the films release'.

'We were asked to write and record the music and we had only three days to get it all together. We made demos of two songs and the next day recorded Sky High' he added.

But this isn't Clive's first success as a songwriter. With partner Des Dyer, who was Jigsaw's drummer and lead vocalist they were responsible for Candlewick Greens hit 'Who do you Think you are' which also made waves in the American top ten by way of Bo Donaldson and the Haywoods.

'Though we just finished our fifth album and have been together since 1968 you would be surprised what one hit single can do' said Dyer.

Jigsaw had quite a following in Coventry and Warwickshire area and often played Mr Georges Club in the city centre. However during one gig, and with increasing interest in the band, by 1975, the doors were closing early as the venue quickly reached full capacity. With that particular gig being midweek this was an uncommon event.
Des Dyer continued 'it doesn't matter how long you have been around without getting that illusive hit you've never made it. Whereas we thought everyone in our home town had heard of us it appeared there were thousands that hadn't'

Lead guitarist Tony Campbell took up the story. 'We're obviously being offered bigger and better concert gigs now that we have had a hit record. We are fully booked up until Christmas and we plan to play all those dates and not let any drop'.

'Though we were clever enough to have a rider in the contract that if the disc was a hit and we had to go over to America to promote it then we would' adds the bands remaining member, bass player, Barrie Bernard. 'Of course, when we get back we will honour any outstanding gigs'.

That American visit was due at the end of November. Though Jigsaw will be doing two major concerts a tour has not yet been set up. It'll be a short promotional visit to help Sky High get nearer to that number 1 spot.

And then during December it's off to Australia where the record has got to that covered top spot already.

'Something I've always wanted to do is spend Christmas Day on Bondi Beach and now we will be doing it' says Tony.

So after seven years since Jigsaw were put together have the group achieved what they set out to get?

'Far from it', interjected Tony. 'Those seven years were only an apprenticeship and it doesn't matter how successful this record is we are very ambitious and want any future discs to be even more successful. And we are optimistic that we can do it'.

'You see, we have an original sound' continued Clive. 'Its certainly not rock like say Led Zeppelin but neither is it pure pop. We are hoping people will judge us in the same category as the likes of Bread'.

'Seven years together has its advantages' adds Des. We already have a very visual stage act worked out which includes exploding cabinets and......

At that point Barrie hushed him up in case he gave too much away.




Coventry Theatre - One Week in 1974

 Coventry Theatre - One Week in 1974

by Pete Clemons



It seems mind blowing when thought about nowadays but it really did happen. Just over 50 years ago, during November 1974 two, then future iconic bands, Queen and Sparks, visited the city over consecutive weekends. Neither band could claim to be the behemoths that they became but, nevertheless, these groups were still top drawer attractions. But here they were at Coventry Theatre as part of a series of Sunday evening attractions.

As time went on both bands broadened their horizons, moving away from a more conventional rock and roll base to creating more quirky anthemic and a sophisticated style of music that attracted a wide range of fans. Rock music with a twist if you like. Both bands were never content to sit on their laurels. They were incredibly forward thinkers.

According to a review that accompanied the Sheer Heart Attack LP that they were touring, 'Queen were now one of the most popular bands around. With this LP they prove their maturity with a melodic ever changing album that runs the whole gamut of pop'.

And it was true as Queen brought with them an energy and a very rich and powerful performance. They were lauded at the time for their high-quality audio and visuals, particularly by early Queen fans, and this highlighted their early hits and heavy guitar rock style.

The concert includes iconic tracks like 'Keep Yourself Alive', 'Now I'm Here', 'Killer Queen', and 'Seven Seas of Rhye'. The gig showcasing their early sound. There was fire and passion by way of Freddie Mercury's vocals and Brian May's guitar solos shining and, of course, a dynamic rhythm section.

Speaking after the tour Brian May mentioned, 'we knew songs like Killer Queen would be a hit because its got going on in it. Freddie is very fond of cabaret so we all got into that on Killer Queen. But I don't think that's the way the band is going. We are going in lots of different directions at once'.

Sparks' live performances in 1974 were a unique blend of musical innovation and theatrical flair, characterized by their quirky stage presence and distinctive sound. The band, led by the Mael brothers, Ron and Russell, gained significant popularity with the release of their album Kimono My House released earlier during 1974, and their live shows reflected this shift towards a more mainstream audience.

Ron and Russell Mael, particularly, stood out with their distinctive appearances. Ron's Chaplinesque moustache and serious demeanour, while Russell's energetic bouncing and androgynous style, created a striking contrast that captivated audiences.

Sparks' music, though influenced by glam rock, incorporated elements of art rock, pop, and even disco, setting them apart from many of their contemporaries.

Their breakthrough hit 'This Town Ain't Big Enough for Both of Us' and the album 'Kimono My House' propelled them into the UK charts, leading to a surge in popularity and larger live venues.

Propaganda album had just been released to glowing reviews. 'If you liked Sparks last album [Kimono my House] then you will certainly go a bundle on Propaganda because where Kimono lacked depth, grace and musical fluency, Propaganda flows, reels and rolls with all the daring audacity of a Moulin Rouge stripper' said one.

Both albums mentioned offers a valuable glimpse into Sparks' live sound in their mid-70s prime, especially given the band's influential status

Finally, and for completeness and balance, the remainder of those November's Sunday concerts at Coventry Theatre was completed by Ray Conniff, The Syd Lawrence Orchestra and Jack Jones.