Pete Clemons contacted me recently, to supply material and press cuttings on Pete Waterman's Coventry days, to the ITV researchers who were gathering material for the forthcoming Piers Morgan Life Stories featuring Pete Waterman. I copied Pete Clemons in on my e mails to the show and his wizard pen has converted that material into an article for the Coventry Telegraph. The material related to Pete's early R & B bands, early songwriting, DJing in Coventry and the Midlands and his Soul Hole shop and more. In addition to the article itself, I've added in some of the source material below for your enjoyment.
At the time of writing, the show is currently being recorded, Pete having been interviewed and some of the artists have been filmed too. It should go out some time soon during the summer.
|This a view of the whole article but a readable version is below.|
Pete Waterman's R & B Bands in the mid to late 1960's
This band was operating c 1965 / 66 but i have no further information about them.
Tomorrow's Kind c 1967 / 68
The line up was Pete Waterman - guitar and vocals, Keith Jackson - bass, Duncan Hall - drums, Richard Hollis - lead guitar, Paul Hatt - vocals.
They played R & B standards and Motown and possible some original numbers.
The played local gigs like the Navigation Inn / The General Wolf / The Plough and Friars Promotions used to send them all over the Midlands.
Tomorrow's Kind playing at the Navigation Inn.
Photos of Tomorrow's Kind supplied kindly by Vocalist Paul Hatt
Here is an excerpt on 'Tomorrow's Kind' from Pete Waterman's bio I Wish I Was Me
" By 1965 the whole Beatlemania phenomenon had gone barmy........for a while at least I was in a band called Tomorrow's Kind who actually looked like they might have gone on to be famous. They didn't, of course, but we did pick up a bit of a following and we started gigging three or four nights a week while I was still holding down the day job at the GEC. That continued for a couple of years but I eventually realised that I didn't have any genuine talent. I could fake it like buggery, but I was never going to be top of the charts.
One night in 1966 we were playing a gig and one of the other bands didn't turn up, so I dashed home, got my records and played them before the band came on. Now no one really did this at that time and the Landlord of the pub where we were playing said he really liked it. He offered me 10 bob to come back again and play records the following week. This wasn't some kind of complicated system, it was a record player with a microphone next to it going through the PA, but for 10 bob. I wasn't about to complain. So by a quirk of fate, I went from being the lead singer in a not very good band to being the only DJ in Coventry. ....I began to play records more than I played instruments, and because I got to know the right people, I started to get people asking me to play records."
Pete's book available on Amazon - here
Pete's DJing is legendary and there are various Coventry Telegraph articles on this blog by Pete Clemons which looks at some of the venues that Pete Waterman DJ'd at - The Locarno (Tiffany's) / Tree Tops / The Walsgrave / The Mercer's Arms - check them out in the index.
Trev Teasdel's memories - Part 1
I met Pete in 1970 at the GEC Stoke Works, Telecommunications dept. Copswood, Coventry. Pete, was the TGWU shop steward. I was 19 and putting on local bands at the Coventry Arts Umbrella Club and writing lyrics during tea breaks and sometimes during Pete's Union meetings!
In June 1970, I began writing a lyric called A Lotta Rain is Fallin' (while the boss was out!) and a workmate asked me what i was doing. Pete got wind of it and came over to see what i was doing. He ended up taking it away with him (half finished though it was, promising to put music to it. The lyric was inspired partly by Dylan's but also Epitaph by King Crimson. I think I wanted to be a kind of Pete Sinfield (who wrote lyrics for King Crimson or Pete Brown who wrote lyrics for Cream at that stage. The next week Pete brought in a mono cassette player and played the song to me with his voice and acoustic guitar. His voice was a mix between the smooth tones of Paul McCartney and the R & B edge of Bob Dylan and he loved one of the lines "There's a lotta rivers flowin' but the sea's learned how to fly" for its imagery and repeated it in his version. I've no idea if this was his first attempt at songwriting or if he'd written for the bands he played in but it was damn good and I completed the lyric and gave it to him. Pete promised to perform it at the Walsgrave but it never materialised. The lyric is below - not quite a Kylie Minogue song - it was 1970 and Pete wasn't world famous at that stage.
A LOTTA RAIN IS FALLIN’ (Lyric by Trev Teasdel June 1970)
A lotta rain is fallin’, but the earth has moved aside
There’s a lotta bullets flying but the victim’s found somewhere to hide
There’s a lotta rivers flowin’ but the seas learned how to fly.
There’s a lotta clouds a wondering which rockets knicked the sky
‘cos the roads are moving fast but the cars are standing still
and so much is happening yet nothing’s ever done
Oh we want to see the light but we’re dazzled by the sun.
And some people’s only sunshine
Is their Cornflakes in the morning time
And the age of instant sunshine
In packets of bright display
I know will be dawning, in some future day.
There’s a lotta tears a fallin’, and more are being cried
There’s a lotta people trampled on as man takes another stride
There’s a lotta smoke a rising but the sky’s learned how to swim
There’s a lotta faces smiling but their hearts are feeling grim
Cos a lotta tension’s forming and the bags about to burst
There’s gotta be an answer cos the world is getting worse.
A lotta help is needed to get that truck back on the road
Cos too many people are pullin’ too heavier a load.
(BACK TO BRIDGE)
I don't have a copy of Pete Waterman's more upbeat version but this Sound click link is to an acoustic version with my own chords / music and playing and with a minor chord feel. I originally envisaged melotron in it and we did do a version with modern keyboards but this is just an acoustic version with lead guitar by Steve Gillgallon of Middlesbrough) and recorded on cassette in 1981. You can hear it here -
Pete got me to write for several local bands like Coconut Mat and some times threw ideas at me for lyrics -Umbrella club. They were mostly local or regional bands at that venue like Wandering John, Asgard (a Pink Floyd type outfit that John Peel was interested in), Pantomime (from Birmingham), April, Skid Row (not local) and many more.one using the imagery of Chess is one I remember. He also asked me to come down the Walsgrave - a pub, where on a Tuesday night , he ran a progressive music venue and disco. For nearly a year i turned up early after work and helped Pete set up and did the door. It meant I got in free and was an opportunity to meet new bands, some of which I booked for the
While setting up he'd play many of the chart hits of the time - Yellow River, In the Summertime, Question (Moody Blues), Groovin' with Mr Bloe, Spirit in the Sky, All Right Now, Psychedelic Shack, American Woman, are a few I remember, along with oldies like Itchycoo Park and soul hits.
Sometimes we'd go walkabout, often to collect gear - leads, mics, instruments etc before the doors opened at 8pm. On one occasion we walked up to his house in Walsgrave and another to his parents house in Burlington rd, catching the bus into town (he was highly popular even back then with all the disco fans from the Locarno waving to him as we walked through town), and then up to Earlsdon Cottage folk club to collect his flute from Rod Felton. Rod was sat out on the grass at the back with a crown and his guitar and Pete joined in on flute, playing quite melodically. The next time Pete used his flute was, as described in the article, doing the vocals on Rock me Baby with the R & B band Gypsy Lee, adding staccato, Jethro Tull style flute in the breaks.
Pete Waterman's parents house at Burlington Rd, Stoke.