Tuesday, November 19, 2013

The Matadors

Pete Clemons looks at 60's Coventry band - The Matadors for his latest article for the Coventry Telegraph.




700 gigs but no LP from The Matadors
Pete Clemons

THE expression 'they were a hard working band' has been used many times before in numerous articles and not least of all within the subjects that I write about. But if the number of gigs played during a career equates to how hard working a band is seen to be then 'The Matadors' can rightly claim to be up there with the very best of them.

The Matadors were made up of Neil Tyson vocals, guitar, harmonica, Dave Finlay organ, vocals, Dave Colkin bass, vocals, Harry Heppingstall drums and were formed in 1962. Actually early dates had them down as Larry Spain and the Matadors but for whatever the reasons Larry left the band after a few gigs fairly early on in the bands career.

During almost six years in existence from when they first got together through to their eventual demise in 1967 The Matadors had played well in excess of an astonishing 700 gigs in the region. And this amount of live work did not include other dates and bookings away from Warwickshire.

Admittedly the earliest of those gigs were played at venues like St Georges Ballroom in their home town of Hinckley but nevertheless the 600, or so, gigs that this band played within the Coventry area is still an incredible and highly impressive number.

The band received an early break in 1964 when they were signed by Harold Davison who was also the manager of the Dave Clark Five and the Applejacks. He managed to get the band down to Decca Studios in London where they recorded six of their own songs along with another that Decca Records themselves had selected. 1964 also saw The Matadors tour Scotland where, according to their personal manager Mike James, they went like a bomb. The same year they also appeared with Billy J Kramer on a package tour down the south of the country.

The Matadors used to also go down a storm at the Coventry Flying and Country Club out at Baginton. So much so that, along with bands like Johnny B Great and Goodmen and The Echo Four they would be given pleasure flights out of the nearby airport.

Such was the band's popularity that during 1965 The Matadors won a poll organised through the Coventry Express newspaper. Thousands of music fans had filled in their printed forms and posted them off and the group found themselves as the clear winners. Runners-up being The Little Darlin's while actually the biggest surprise of that poll, which had been for beat groups, was that Coventry's own Irish show band had made it into third place - The Pat Gissane Show Band.

This is how The Matadors' victory was reported at the time: 'The winners of the Express poll, The Matadors, have themselves undergone a definite change. An organ has been added and much of their earlier material has been dropped. The Matadors now put a great deal of emphasis on stage work and their material ranges from hit-parade gear to ballads and modern arrangements of older "pop" hits. One of their most popular numbers is a rendition of the old Buddy Holly flipside "Everyday" - one of the rock numbers to have stood the test of time. The "Mats" do some of their own material and hope to have a record released which is mid-tempo and sung in falsetto harmony - on an Ivy League kick'.

1965 then saw the band sign up with top independent record producer Joe Meek, the man who had produced several million selling hit singles including 'Telstar' made world famous by The Tornadoes. All the signs were good as a clutch of songs were recorded. Enough in fact to make three singles. However, a year later not one record had been released.

The Matadors moved on after their personal manager, Mike James announced 'we can't wait around for ever'. The whole experience made the band and their management unhappy and totally disillusioned with the music industry.

After the well publicised delay and the band's response The Matadors first single was leased by Meek to the Columbia Records label and was at long last released during January 1966.

The 'A' side was titled 'A Man's Gotta Stand Tall' with the 'B' side titled 'Fast Cars and Money'. Its matrix number was Columbia DB7806 and the lead song can still be found even today. It is on a CD called Joe Meek - RGM Rarities Vol. 2: The Beat Group Era. 

The Matadors called it a day in 1967 and soon after Neil Tyson and Dave Colkin formed a band called Magazine along with lead guitarist Nick Mayne and drummer Steve Talbot.

In keeping with the blues and soul fashion of the late 1960s the band adventurously incorporated a brass section.

Magazine seemed to pick up where The Matadors had left off by way of many visits to venues such as The Walsgrave and The Red House pubs. Despite always being on the verge of recording I don't think it ever happened. Magazine remained active until the mid 1970s.

Meanwhile drummer Harry Heppingstall joined groups like A Band Called George and jazz rock band Wave who had a residency at the Earlsdon Cottage from 1972 through to 1973. Wave then evolved into Khayyam, another jazz rock/progressive band, who featured lead guitarist Chris Jones and appeared a number of times at The Golden Cross.

It has always been my understanding that Khayyam did go as far as recording an album, although I have never heard it and therefore cannot verify this story.

However it seems that, if the tale is true, then the band never got the right deal in order to release it offi-cially. Which seems to be a never ending trend for the band, and all those involved with them. Bad luck and wrong deals was the story of The Matadors' career really.

Also see the post on the Hobo A to Z of Coventry Bands
which includes some youtube of the band and more photographs.


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